Ensembles and solos
La Valse de Camille (2022), per Camille Claudel for guitar
Adelaide (2021), for violin and harp
Il sogno après M.° T (2020), in memoriam E. Porta for violin
VI&VI (2020), for cello and percussions
KrElno (2020), for clarinet, cello, electric guitar and piano
Laggiù (2020), for piano
Istrska (2020), for 2 pianos
Salt and Olives (2020), for piano
Avaritia (2019), for voice, pikolo and bass flute
Shenandoah’s Planh (2018), for cello and piano
La civiltà è senza cuore. Il cuore è senza civiltà (2018), for violin and viola
ROSSSS (2018), for clarinet and cello
Bilečanka (2017), for sax and piano
Snednecsa (2017), for flute, violin and clarinet
Arsi, piansi e cantai, Hommage à A. Corghi (2017), for voice, cello and piano
Piccola suite carnascialesca (2017), for alto recorder and harpsichord
Nini sine, spavaj sine (2016), for flute and violin
Vermeer (2016), for flute and harp, based on a poem by Szymborska
Ein Kind (2016), for voice and harpsichord (one performer)
… A Bee or Two… (… un’ape o due…) (2016), for bass-clarinet, violoncello, and percussion (one player: vibraphone, wind chimes, and tamtam)
Vi-Ha-Es, Fantasia su Victimae Paschali Laudes (2016), for organ
Contrafacta , for soprano, clarinet, trombone, viola, violoncello, text by Paul Eluard
Ricercare contemporaneo (2015), for double harpsichord and lute stop
L’Alfa e l’Omega (2015), for 4 sopranos, 2 trumpets and 2 trombones, text from The Book of Revelation
Come el vin (2015), for soprano, baritone and piano, text by Virgilio Giotti
… anche se lontano appoggiato sul mio cuore… (2015), for harp
Igra kvart (Gioco di quarte) (2014), for piccolo, flute, alto flute, oboe, english horn, clarinet, bass clarinet, and horn
Albero rosso (2014), for flute
Ostinatamente basso (2013), for bass guitar
Muzikant, Divertimento su un tema popolare sloveno , for flute, clarinet, violin, violoncello, and piano
…E… (2010), for violin, violoncello, and vibraphone
Pevcu, for 2 sopranos, alto, 2 clarinets, and bass clarinet, text by F. Prešeren
Hudič, for voice and piano, text by Srečko Kosovel
Je t’adore , for tenor and piano, text from Baudelaire’s “Les fleurs du mal”
Contrappunti e intermezzi (2000), for 2 flutes and female voice, text by Hermes Trismegistus
Spoved, (1999), for voice and organ, text from the Freising manuscripts
Mixed ensembles of instruments from different cultures
Quarta e quinta (2014), for clarinet, erhu in pipa
Seikilos (2012), for viola, kemençe, harp, and ud, text from Seikilos Epitaph
Senza nome (2011), for flute, clarinet, bansuri, pan flute, and sho
Choir
Štefan (1999/2016), for female choir, text by S. Kosovel
Io sarai il farc (2015), for mixed choir, text by G. Menon
Izi-Papa and Mama, for mixed choir
Na planincah (2002), for mixed choir
Arrangements
Trad./Antoni, Merry Blacksmith Jig (2016), for oboe, clarinet, and strings
Bartok/Antoni, Peasant song (2016), for 4 violas and double bass
Bartok/Antoni, Hungarian folksong (2016), for 4 violas and double bass
Bloch/Antoni, Preghiera (2016), for 8 violoncelli
Debussy/Antoni, Minstrels, for basset horn, violoncello, and piano
Debussy/Antoni, Clair du lune , for voice, basset horn, violoncello, and piano (4 hands)
Incidental music
Ist san na žena (2017), Beneško Theater, stage direction Elisabetta Gustini, for recorder, harpsichord, and voice
Tutti i brani sono ancora inediti, per concerti ed esecuzioni si possono richiedere direttamente alla compositrice.