Luisa’s Compositions: catalogue

Ensembles and solos

• Rossss (2018)

for clarinet and violoncello

• Shenandoah’s Planh (2018)

for violoncello and piano

• Snednecsa (2017)

for flute, violin and clarinet

• Arsi, piansi e cantai, Hommage à A. Corghi (2017)

for voice, cello and piano

• Piccola suite carnascialesca (2017)

for alto recorder and harpsichord

• Nini sine, spavaj sine (2016)

for flute and violin

• Vermeer (2016)

for flute and harp, based on a poem by Szymborska

• Ein Kind (2016)

for voice and harpsichord (one performer)

• … A Bee or Two… (… un’ape o due…) (2016)

for bass-clarinet, violoncello, and percussion (one player: vibraphone, wind chimes, and tamtam)

• Vi-Ha-Es, Fantasia su Victimae Paschali Laudes (2016)

for organ

• Contrafacta

for soprano, clarinet, trombone, viola, violoncello, text by Paul Eluard

• Ricercare contemporaneo (2015)

for double harpsichord and lute stop

• L’Alfa e l’Omega (2015)

for 4 sopranos, 2 trumpets and 2 trombones, text from The Book of Revelation

• Come el vin (2015)

for soprano, baritone and piano, text by Virgilio Giotti

• … anche se lontano appoggiato sul mio cuore… (2015)

for harp

• Igra kvart (Gioco di quarte) (2014)

for piccolo, flute, alto flute, oboe, english horn, clarinet, bass clarinet, and horn

• Albero rosso (2014)

for flute

• Ostinatamente basso (2013)

for bass guitar

• Muzikant, Divertimento su un tema popolare sloveno

for flute, clarinet, violin, violoncello, and piano

• …E… (2010)

for violin, violoncello, and vibraphone

• Pevcu

for 2 sopranos, alto, 2 clarinets, and bass clarinet, text  by F. Prešeren

• Hudič

for voice and piano, text by Srečko Kosovel

• Je t’adore

for tenor and piano, text from Baudelaire’s “Les fleurs du mal”

• Contrappunti e intermezzi (2000)

for 2 flutes and female voice, text by Hermes Trismegistus

• Spoved, (1999)

for voice and organ, text from the Freising manuscripts

Mixed ensembles of instruments from different cultures

• Quarta e quinta (2014)

for clarinet, erhu in pipa

• Seikilos (2012)

for viola, kemençe, harp, and ud, text from Seikilos Epitaph

• Senza nome (2011)

for flute, clarinet, bansuri, pan flute, and sho

Choir

• Štefan (1999/2016)

for female choir, text by S. Kosovel

• Io sarai il farc (2015)

for mixed choir, text by G. Menon

• Izi-Papa and Mama

for mixed choir

• Na planincah (2002)

for mixed choir

Arrangements

• Trad./Antoni, Pera stous (2018)

for piano

• Trad./Antoni, Merry Blacksmith Jig (2016)

for oboe, clarinet, and strings

• Bartok/Antoni, Peasant song (2016)

for 4 violas and double bass

• Bartok/Antoni, Hungarian folksong (2016)

for 4 violas and double bass

• Bloch/Antoni, Preghiera (2016)

for 8 violoncelli

• Debussy/Antoni, Minstrels

for basset horn, violoncello, and piano

• Debussy/Antoni, Clair du lune

for voice, basset horn, violoncello, and piano (4 hands)

Incidental music

• Ist san na žena (2017), Beneško Theater, stage direction Elisabetta Gustini

for recorder, harpsichord, and voice